Archive for the ‘Exhibition’ Category

Art in my kitchen

January 13, 2011

Now you know which paintings I have in my bedroom, let’s move on to the kitchen!
With moisture and fumes it might not be an ideal place for art, but the pieces hanging a good distance away from the stove and oven.

The first is a delicious 8×6 painting by Viv Lieskovsky: Medicine Bottles. She had it in one of the recent Leir House shows, where I bought it.

Viv Lieskovsky - Medicine Bottles

Viv Lieskovsky - Medicine Bottles

Then there is my own practice piece for the first RipOff challenge: Starry Night by Van Gogh in encaustic.

Thea Haubrich: Starry Night/Van Gogh

Thea Haubrich: Starry Night/Van Gogh

Next up is a wonderful water colour by Jill Leir-Salter, the grand-dame of painting wide skies and Okanagan landscapes. She had it in an exhibit in Naramata and I could not resist!

Jill Leir-Salter - Gathering Storm in the Okanagan

Jill Leir-Salter - Gathering Storm in the Okanagan

The last one in the kitchen is again an Okanagan scene, this time by Lynne Marand, active member of the South Okanagan Chapter of the Federation of Canadian Artists. This is the second piece we acquired from her; the other one, Serendipity, hangs in the hallway.

Lynne Marand - An Unobstructed View

Lynne Marand - An Unobstructed View

Lynne Marand - Serendipity

Lynne Marand - Serendipity

Still more art in my bedroom…

January 5, 2011

There are a couple more pieces in my bedroom I want to show you:
First a painting (a reproduction, I’m reluctant to admit…) of one of my favourite Canadian painters, Emily Carr. The title is Scorned as Timber, Beloved of the Sky, 1935.

Emily Carr

Emily Carr, Scorned as Timber, Beloved of the Sky, 1935

The next one is a framed print we bought on our visit to Korea, some 25 years ago. I really love this one! Sorry, it’s a bit fuzzy…

Korean print

Korean dancer

Two more paintings by local artists: The first is by Jack Deppisch, a fine painter with a great sense of humor. He painted this little cabin during a plein air session and I won it at the painting exchange from our FCA chapter this Christmas.

The second one is again by my dear friend Linda Swales. She started it in one of my workshops and gave it to me as a Christmas present, together with some fabulous Chinese paint brushes.

Jack Deppisch

Jack Deppisch, Summerland Ornamental Gardens

Linda Swales

Linda Swales

In a following post I’ll show you what hangs in my kitchen….;-))

More art in my bedroom

January 1, 2011

Here are some more paintings which are gracing my bedroom walls:

More art in my bedroom

Karen Lehrer, Daniella Woolf, Donna Schnare, Linda Swales, Bethany Handfield, Linda Womack

From the top, left:
a lovely piece by Karen Lehrer. Again a painting exchange, this time from the recent IEA Advance/Retreat in San Francisco.

Next to it, in blues and yellows, a real Daniella Woolf! I bought it as I visited her studio during the 2009 IEA Retreat.

The beautiful landscape to the right is by Donna Schnare, a good friend from my Ning social network. She painted this on a tile and told me it was the first time she had done that! I’m very honoured that she gave it to me.

Below Karen’s piece is Linda Swales’s painting of winter trees. This work has a wonderful glow, which unfortunately does not show very well on the photo. Linda is one of my best friends here in the Okanagan. She attends almost all my workshops and circles. Hopefully I will be able to offer some again soon.

The fiery orange/red painting is by Bethany Handfield, another student and close friend. This one is called “The Eye of Pele”.

And below another lovely piece by Linda Womack, which she sent me recently as encouragement. She incorporated a photograph she took at Harrison Hot Springs, B.C., where she spend a few days with her husband after she had taught two workshops here in the Okanagan.

So at night I’m surrounded by all these inspiring artworks. Each from a fellow encaustic artist, whom I have met and often am very good friends with. Can you imagine my sweet dreams??

Artwork in my bedroom

December 30, 2010

The silkscreen printing set is still in its box, so here’s something else I’d like to share with you:

The artwork which is hanging in my bedroom!
I love to collect fellow (encaustic) artists and have a number of small paintings hanging above my bed.

Brad Hillis, Eileen Goldenberg, Linda Womack, Mandy Rollings

The intriguing painting with the Grinch-like fingers is by Brad Hillis. I got it at a painting exchange of our FCA Chapter Christmas potluck in 2009 and am extremely pleased with it.

The little guy on the left, with the dots, is of course an original Eileen Goldenberg! I acquired it during the Encaustic Conference last June.

Next to it is a real Linda Womack. She came to teach here in the Okanagan and gave me this little gem. So proud to have it!

Underneath is a lovely small painting by Mandy Rollins. She made it during the workshop with Linda Womack and I fell in love with it right away. She displayed it in the recent encaustic exhibit “Brilliant Moments III” and I bought it before opening night!

Carol Munro, Phyllis Lasche

The painting in sections, at the top, is by my best friend Carol Munro.  I won it in the FCA painting exchange in 2008.
Below it is a little encaustic installation by Phyllis Lasche. It is hard to see, but she made a 3D work, incorporating a piece of shell and coloured beads. You can hang it in any which way, and can play with it too, rolling the beads around!
This one I also got in a painting exchange: at the IEA Retreat in 2009.

More paintings in the next post!

Finding Ones self: A short story by Hugh Wilson

October 13, 2010

This is a story sent to me by my friend Hugh Wilson from Toronto, who contacted me many months ago with a question about bloom on his encaustic paintings. We have  exchanged many emails since. I’m still pestering him to get his own website, so for now I’m lending him space here to tell his very personal story about how he found his voice with his art.

At the beginning of this journey I felt it would be rather simple, after all, my works have always sold from the Christmas Bazaar shows at $50 on through my $5000.00 corporate piece for an Ontario home builder! Heck, I was an artist! A sculptor no less! granted my tool was a chainsaw not a paintbrush.

So long story short, I make the determination that large format chainsaw sculpting is not something one can do as they age…although my maturity level is close to that of a 13 year old..ask my wife! My knees and back are somewhere around 103 ! So maybe the encaustic thing is the way to go? At first I was not impressed but after seeing some landscape stuff on a studio tour I was fully engaged!

So there I was pounding out the work!
Present a piece to Dustin Hoffman( I know his wife)
Pull together 30 pieces for my first show!

And presto I am famous…well, not really.

After doing the outdoor show this spring and selling a couple of my larger works for $800 each I felt this was the beginning of a prosperous career. I had also had a couple of small galleries say they would take on my work, but I wanted to explore other options…after all I was an artist!!

So I head for a prestigious Toronto gallery, knock on the door and can’t wait for them to say they have space for 10 to 20 pieces, how fast can I deliver!!! Well that was not the case, the curator listened to my hype, saw my work and proceeded to ”Gut me like a fish”

She said:
Its not a matter of skill, I can see you have that.
You have not found yourself.
Your work looks like all the other encaustic artists
You are a producer of art, not an artist.
You are more concerned with how much you can get for it before you even finish it.

I stood there and felt myself deflate. I did feel a small bit of fire in my belly….pompous gallery owner!!! But deep down inside something was aching. I loaded up my paintings, got back on the road, and headed for the nearest Tim Hortons(that’s what Canadians do) I needed coffee and time to think.

Problem here was the gallery owner was completely and totally right!!! I had not figured it out! I had not found myself. These paintings did not come from anywhere…..I was just a producer of art, not an artist.

 

Northern Lights - Hugh Wilson

 

This was the beginning of 2 months of no painting, 2 months of thinking, 2 months of saying over and over…what would an artist do? Well it did take some time, every moment behind the wheel (that’s where I paint without a brush) was spent think and formulating. The it came to me! I might live just outside Toronto but that’s not really what I am…I grew up 700 miles north in a small Alberta town called Grimsahw…2000 people, no street lights…I was northern! I was rural! We used to lie on our backs and stare at the sky! The horizon went on forever! The northern lights were there every night!!…..that’s it! It hit me!! The Northern Lights! The Sky! The Horizon! I could paint those from my heart! That was where I came from….that was who I was!!

So enter my most recent work, the Northern Lights series, I am fully engaged, totally happy and can’t wait to paint every spare moment . It does not matter in the least how long it takes, or if it will sell or not…my soul is in the work. The rest will come.

I am happy! I am an artist now, not a producer of art!

Hugh Wilson

Note: This entire journey was made possible by the constant trail of e-mails between Thea and I, she was a constant source of information and inspiration…she really knows her stuff!! Thanks Thea!

P.S. from Thea: here’s an article about Hugh in the local paper how he rounds up old doors to paint on!

Finale RipOff Project Mount Lefroy

July 4, 2010

Well, we did it again! After a frantic day of working (for some, Russell and Barb had already completed their piece) we planted the flag on Mount Lefroy. We had tons of visitors over the week; I counted about 150 names in the guest book!

Here are some impressions of our last day:

Marion finally started to warm to Mount Lefroy!

Enid was in her element all the time!

Barb with her woven garment + scarf

The last stitches for Dianne before the 3 PM ring of the bell!

Russell with "Lawren's painting", times two

I’ve even made a video of his photographic installation!

Poor Terry felt still very sick and has a lot of yarn to be knitted before completion.

Kurt: Installing the installation

JoAnne's finished CD cabinet

Leo's 3-D piece in wood

My encaustic piece

And then we had a baby Quail visiting the Quail's Nest!

't was hard to fit all artists in the picture! Kurt's missing here...

After the photo shoot, a toast and some well-deserved goodies we all went our separate ways. Watch for the RipOff display at the Fall Art Show in Oliver, Oct. 2 and 3. And next year at Handworks Gallery and Leir House Penticton.

That was it for this year! Will we do it again? Of course we will!!

Day 4 of the RipOff Project

July 2, 2010

Today I got only about 1.5 hrs of painting done, because I had to give a demo at Handworks in the afternoon. Also, we watched the quarter finals Holland/Brazil of the World Soccer tournament before I left, and Holland won 2-1, so they’re in the semi-finals!!

I really did not get much done; just added an extra layer of white to the main mountain and sculptured the ridges with the stylus and scrapers. The blue at the left is done with a pigment stick and I think I will continue working with that tomorrow. It brings out the texture beautifully!

Encaustic

Yesterday I was not at the Quail’s Nest and the others made some great progress on their pieces. Luckily Terry was able to come and is working on her knitting now:

This is what Terry is doing: KNITTING the mountain...!

Marion's collage

Russell is breaking out the power tools...

Leo's mountain is almost finished

Kurt also made great progress

A lively discussion with Dianne's quilted mountain in the back

Look closely at the bottom of our fridge....

It has Kurt's PAINTS in it, right next to the coffee!!

Tomorrow is our big finale! My experience from previous years is, that it will be packed and we won’t have much time to paint!
Please come out and cheer us on as we all rush to the top!

Opening “Harmony” at Leir House, Penticton

July 1, 2010

This afternoon was the opening of the art show of  the Artists of the South Okanagan. Basically, these are all members of the FCA, but this show was not a juried one, so could not run under the auspices of the Federation.

The presented work was excellent; it could have been a juried show! There were two of my photos with encaustic work in it.

We bought two paintings: a lovely Okanagan scene by Lynne Marand (our second piece from her!) and a stunning little painting of some medicine bottles by Viv Lieskovsky.

Second day of our RipOff project

July 1, 2010

Just uploading some pictures of yesterday’s work. I’m off today, but will be back Friday morning.

Leo's wooden installation takes shape

Barb's loom with scarf; she's already made her main piece, but it's a secret!

Dianne with her quilt on day 2

Enid's finished watercolour piece

Here she's working on her acrylic mountain

...AND she's doing a third piece, after Mike Svob

Marion is using fabric to collage her sky

Working on my encaustic piece

Russell scoring his photo

JoAnne's CD cabinet

End of day 2: encaustic piece

Kurt has still a lot of inches to cover....

Second Conference Day

June 12, 2010

It’s almost 11 PM and I can’t believe I’m still awake! On the other hand, I don’t think I could sleep either, after a day like this…

The day started with a brilliant early morning walk Carol convinced me about. Montserrat college is just minutes away from the Atlantic Ocean and we walked over to the beach, admiring the wonderful houses. Everything is so well kept and clean!

Our first program was a forum about Making a Career in Wax in the First Parish Church. Panel and discussions were very interesting and funny (Allexandre, Eileen).

Lunch was provided and we took it inside because it had started to drizzle a bit. I attended the informal IEA gathering, where we got a good crowd and had several prospective new members.

For some reason my afternoon program comprised of all talk, no demo’s unfortunately, so I don’t have any relevant photos, but here are some more images from the “Best Foot Forward”

After one of the talks JudyKlich came up to me. I did feature her on the Ning network a couple of weeks earlier and she tole me it had been great timing.
Here are Judy and I in front of Joanne Mattera’s painting:

And this is her painting in Best Foot Forward:

Tanne - Judy Klich

I also met one of my first Ning members: Ken Aeson! I’m going to feature him as soon as he has uploaded some of his encaustic work to the ning site.

In the evening we went to the opening of “Flow and Control”

Shelley Gilchrist

Shelley Gilchrist won Curator’s choice award.

Ruth Hiller

Ruth Hiller got the Montserrat Choice award and Karin Freedman was Joanne’s choice (image later).

Umbrae: Kelly Wagner Steinke

I loved Kelly Wagner‘s piece!

After wards we joined Joanne, Eileen, Nancy and Elena for dinner.

What a day!